For those who know this kata, you probably notice several differences in performance. The most notable (apart from my general poor form) are:
- two punches per step at the start. This is the variant we commonly practice, but we also have the more traditional option of the single punch as well
- "steeple" blocks before all the kicks
- the separation of the two mae-geris in the first section into a kansetsu-geri, finishing of one application sequence, and then a mae-geri, starting off the next application sequence
- shifting the stance up to maintain distance and balance between the feet when doing the elbow/punch
- arms out (I did them more up than they are meant to be. It's ok though, when practising the technique with a partner, I hold them properly - I'd get punched in the face otherwise) when doing the two cross-arms, drop into shikodachi
- use of fudo-dachi instead of shikodachi
- slightly different hand position in the closing segment - again, application related (and we keep the more common version in suparimpei, and can practise it here as a variant)
I do like this kata. Its applications are direct and robust, and I feel a direct connection between the solo form and the 2-person applications when doing this kata (something I don't always get from, for instance, tensho). I'll film and post tensho at a later date.
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